Word Art: Alien Life

Lake Sirmon is one of the reasons I am irretrievably barred from saying I have not had an interesting life.  We met at an art show that my friend Steve took me to.  It was supposed to be the grand opening of her new art gallery and studio space.  Unfortunately, an ice storm hit the area and made the opening a little less than grand.  Nevertheless, we braved the slick roads and I fell in love with one of the masks that Lake had made–a half-mask covered in red glitter with beads and red and black plumes.  Steve still owed me money (I have a tendency to fall for men in less-than-stable financial situations, but I always get it in writing when I help them out) and the mask in question was about the price of his final payment, so he bought me the mask and we called it even.

Because of Lake, I have posed for photographs in the ruins of an abandoned steel mill, wielded a wand as the Art For A Buck Fairy, covered myself in lipstick and body paint while completely nude in front of an audience and helped paint a hearse to turn it into a multicolored work of automotive art.  Lake proved to me beyond all doubt that you don’t need to be a rich person to live a rich life.

Lake has a thing for aliens.  She’s made art of spaceships, dressed up as an alien, put on an “Alien Luau” and collects the odd bits of ephemera depicting aliens that have made it to the thrift shops.  One of her artworks comes with a story about a girl from an isolated planet who builds a spaceship to explore the universe with.

It was at Lake’s house that my art career began.  I knew I had until June to come up with a birthday present for her.  True to form, I was ridiculously late, but I wanted this piece to be worth it.

Alien Life

Alien Life

We have always looked up at the stars and wondered if anybody up there was looking back.

As, over time, we reduced what was unknown through adding to what was known (and as we realized how vast indeed was the unknown) we cast our various fears and our hopes into that void and asked ourselves what kinds of beings would arise from it.

Perhaps it says something about ourselves in what things that we expect will come.

We have told tales of being invaded by those who would take what we have and make use of it.

(Perhaps we secretly fear that all the things we did to others will one day be in turn done to us?)

In other stories, they come in the guises of our highest selves, being the beings we wish that we could turn into ourselves.

We wish that we could fly and so we gave them flight.

We wish that we could be rational, and so we give them logic.

We wish the rules for life would be clear, and so we give them purpose.

Some people are convinced beings from distant planets have already come to this place, even as the traces left behind are transient and uncertain.

(Should you suggest that past stories of humans were have been captured and released by the fae are really stories of those who have been captured and released by extraterrestrials, my question would be how can we indeed be certain that the abductors are not, in fact, the Fair Folk in suitable disguises?)

Other people make claims that the pyramids and other exceptional achievements of times past were in fact works of visitors from other worlds.

I find that this comes across as a bit of a slight to humanity.

We are, as a whole, far more remarkable than we give ourselves credit for.

And I also suspect that we all feel a bit like an alien from time, as we behold the peculiar customs of these human creatures and wonder why they act that way.

Anybody who explores the inner and outer spaces of the realms of creativity will find this to be especially true.

So perhaps the eyes that stare back from the skies are our own.

Lake loved it when I gave it to her and I’m honored to have my work added to her art collection.

Printout of this work (3 MB .jpg file) available here.  Please read the license details.

The original has been given to Lake Sirmon.

Scribble Your Way to Liberation: The Little Block Book

Use this technique for: when you’re stuck on a project and need to move forward on it.

Starting point: when you haul out the book to write in.

Ending point: when what you’re trying to work on is finished.

This is a technique that I’m still testing out, so to speak, so if anybody who’s reading (all five of you) wants to try it out and report back on how it works for them, I’d love to hear about it.

This is a kind of hybrid of the Sub-C Session and the Shit Book, with a slight variation.  Suppose you have something that you need to do, but Resistance is kicking your ass and keeping you away from it.  Start by sitting down wherever it is that you need to Do The Ugly Thing You Don’t Want To Do But Really Have To (hereinafter the “Ugly Thing”) and having the Little Block Book handy.  As soon as the Resistance rears up, pick up the Little Block Book and start writing.  What you write will probably be some variation on “ARGH!  I don’t wannaaaaa!”  Start there.  From there, vent out all the frustrations that are standing in your way, all the resentments, fears and so on that the Ugly Thing is bringing up with you.  It might be something completely silly like “I’m scared that they’ll all laugh at me.”  This is completely okay.  The moment your fears are put into words, they lose some of their grip on you.

Once you’ve vented it all out, start working on the Ugly Thing.  When the next round of frustrations rears up (perhaps along the lines of “ARGH!  I suck!  I’ll never do this right!” for example) grab the book and vent all those thoughts out.  Get back to working on the Ugly Thing.  When Resistance starts trying to ply you with excuses (“Hey, that’s a good enough start, time for lunch now, right?”) write those down.  You may find they’re a lot less persuasive when put in words.

You can even use the Little Block Book as an odd sort of way to mark your progress.  Say you’re working on writing a letter that you’re scared to write.  Start by opening the word processing program and writing something in the Block Book like:  Okay.  File’s open.  Now what? From there you might type in your return address and the address you’re sending it to and then write down what you’ve done in your Block Book.  Keep going until the letter is written and ready to be sent.  You might have to vent like crazy to get all your thoughts out (heck, you might even draft out part of the letter there) but in the end you’ll have a letter to show for it instead of putting it off for another day.

If you strike a particularly deep vein of resentment, you may want to take things over to the Shit Book for some proper purgation.  If you’re really uncertain about what you’re doing and why, you might want to shift to a broader Sub-C Session and figure things out there.  If you’re working in an office, you might consider using the Clicktappity method instead of a separate book, so you can look busy to people passing your cubicle.

After a certain point, momentum will kick in and you’ll be immersed enough to no longer need the Block Book.  But if you find yourself stuck again, pick up the Block Book and write out what’s stopping you.  The point of ending is not when you’re tired of writing about it–the point of ending is when the task you’re trying to get through is finished.

A revised version of this entry can be found in the ebook Catbooks and Other Methods.