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Word Art: Speak

This is one of the first pieces I did, in about the same style as That Which Is Called the Heart and Spiral, which is to say in the style of still figuring out what the heck I was doing.  I made it because I decided that I wanted a background to my Twitter page that didn’t look like anybody else’s.  (Excerpts of it are also visible as the banner on this blog.)  I picked three colors–red, black and blue, to match the colors in the photo I was using at the time–and alternated each sentence.  Since there was no white space to work around, the words went every which way I felt like, though I pointed them in the vague direction of the nature of the Internet and communication.

Speak

Speak

We are here because we want to be heard.

Not just in the external sense, the milling crowds of humanity, but the internal we as well, the multitudes we all contain, despite our best efforts to present a unified front, a single face to the world.

‘My name is Legion—there are so many of us’ pleaded the man possessed, but I suspect that when those tenants were evicted and given new homes, there were still many left so that the place was simply less crowded.

And do not make the error of mistaking our masks for our multitudes.

We pick our faces as we decide upon the outfits that we will match to the surroundings we plan to be in.

Yet here in these electric spaces, we are so perfectly hidden that we can, as paradox as it may seem, reveal ourselves completely.

Sometimes, alas, it is our brutal selves that emerge, the demons we bury under polite facades who run rampant in this space without consequence.

But in spaces where the monsters can be held at bay, our delicate selves can be allowed to emerge, the way raindrops become snowflakes in the heatless air.

Why do some see fit to congratulate themselves for possessing contradictions, as if this makes them strange and complex and something greater than the milling crowd?

One might as well boast about possessing two different eyes as if the rest of the world were one-eyed or blind.

(In the land of the blind, the one-eyed man gets his eye gouged out for being different.)

We are all of us contradictions and far too much misery springs from the drive to be held to one self and deny all others.

No, not in our lovers, in our lives.

Monogamy is really a treaty between two kingdoms.

The greater the intersections between their citizens, the more tightly bound the nations become.

Is this what they mean by the two becoming one?

The crowds of our inner multitudes flowing into a larger crowd that seems to be one mass from a distance?

What a seething crowd we’d be if every single one of us let our crowds unfurl.

And so we are in this space, our citizens demanding their voices and quietly listening to others.

Sometimes we speak the language of sensibility.

Other times, flickers of madness are given an instant to shine with the intensity and brevity of lightning.

For some of us the glow is constant and we avert our eyes at the burning of it.

And I pity the ones who never allow that light to be seen, lest it illuminate too much and draw too much attention.

Some of us wave our madness like signal flares, hoping for rescue.

Others neglect it and let it burn out of control.

Still others try to smother it and those stories never end well.

But in this lightning storm, do perhaps some of us see something new in the moment of clarity, something they’d like to see more of?

Would someone light a match or kindle two sticks, to see clearly what was glimpsed in that flash of insight?

Or are they too terrified of what they might see and retreat to the soothing darkness to pretend that such things don’t really exist, for if they did, we’d see them all the time.

Wouldn’t we?

Wouldn’t we, though? (Though that assumes that reality itself is far more enduring than it proves to be in practice.)

And so our fleeting lightning moments are captured in an electric network and preserved for the world to see.

Sometimes, in shame, we unsay those words and hope no one traces the traces they leave behind.

But mostly we say what we mean or think we mean.

Sometimes the wind will carry our words farther than we ever imagined going.

Most times, we dream of a wind that never comes, or try to huff and puff such a wind into being.

But the winds are not summoned by our egos.

They come when we tap into something that flows with the current of things.

Some have mastered this art, others merely imagine themselves to be masters of it.

The closer to the center, the farther out you reach.

With each light we allow the worlds to see, we grant another permission to shine.

Do not light the brightness of another’s light diminish your own.

Instead, learn to shine that much more brightly.

Spotlights are temperamental things that don’t always linger as long as we’d like.

This is why we must bring our own brightness and let that light our way.

Because we do all shine on, “like the moon and the stars and the sun.”

And so by the glow of screens and cell phones, we shine on in our six billion crazy ways.

How much brighter we’d be if we let all our lights emerge.

But, ah, how hard is brilliance to maintain in this world.

The spotlight can be as much a bane as a blessing.

Some days we crave the cool darkness.

Sometimes it burns so, to be in the center of our incandescence, and so we shrink from it.

But one can become acclimated to the heat, with time and practice and persistence and courage.

And then one day you wonder why you wasted so much time in the dark.

We are not made unique by what we take from the world, for anything we take can be taken by another.

We are made unique by what we bring to the world, the parts of ourselves that no one else on this Earth can replicate.

And yet so many define themselves by their external trappings, even as they secretly chafe against their restrictions.

It seems so many people fear to go within, fear too look too deeply into themselves for fear of what they may find.

With one hand we pat ourselves on the back for being like no other.

And yet with the other, we reach out hungrily to find another like us so we won’t feel so terribly alone.

And so with the transmission of ones and zeroes comes the transmission of our hopes and dreams and our deepest desires.

And the ears to hear or the eyes to see such things need not be known to us before the connection is made.

We are now linked in ways it would have been impossible to link so effortlessly in times past.

The voices of authority have a harder time drowning out the voices of the subordinate.

Who, then, is really in charge?

What if we all of us were?

What a world it would be if we all claimed our kingdoms, made our alliances and learned the way to peace through plenty?

We live in an age of overwhelming abundance and yet we barely notice when we have more than enough.

How changed the world would be if we made note of this.

And yet the full are afraid to flow over, afraid that what they had would be beyond replenishment if they were to fill the hollow cracked spaces.

The holes in their own souls must be filled first, they decree, not knowing that the solid sorts of things they use are the wrong medicine for that affliction.

A spiritual gap cannot be filled with a material object.

A physical lack cannot be filled with mere words and well wishes.

But the spirit can bend the material when flesh is moved by the soul.

This is what we hope for when we call to the heart—that we will stir music in the soul that will lead to the dance of life.

But our mistake is believing that his somehow exempts us from taking our own actions.

All the chatter in the world has not the power of one single focused action.

(Though words are at least useful in advising us what action to take.)

There are times when it is enough to just be.

Fortunate is your life if you have the latitude and will to have such times.

And there are times when the words end, the sleeves are rolled and the action begins.

In the end, it is perhaps better to act first and then speak than to speak first and then act.

Though even speech before action is better than speech without action.

Few things annoy quite like the one who speaks endlessly of his brilliance and yet never bothers to truly shine.

I dare you to show me your heart.

Show me in words, show me in deeds, choose your weapons with care but show me your heart.

I dare you.

We all dare you, though some people who issue that dare don’t really mean it.

They just want you to do it first so they don’t have to.

Perhaps that’s why when we strip our souls naked some people retreat and scream and call the authorities.

Not because what you did was in any way wrong.

Not even because they were horrified and repulsed by what they saw when you exposed yourself.

They fled and demanded that a stop be put to it because they were terrified that they would be expected to follow your example.

They were afraid that they would be next.

Perhaps this is why some of those who hide behind masks are at their most vicious when one is at their most vulnerable.

They hope to shame these naked souls into putting some damn clothes on.

They chill the conversation so they can feel more comfortable in their numerous layers.

How much harder it would be for them should the atmosphere warm, that they would be left sweating and chafing and yet refusing to expose their skins, their flaws, their scars to the rest of us.

So they swath themselves in wool and tweed and decry our lack of modesty in this our modern age.

We are under no obligation to listen to them.

There are ways to warm ourselves in this still cold world.

Unlike a body, a soul can be both armored and naked, exposed yet invulnerable, unstoppable.

Stand firmly in your sense of self and no one can topple you from your position.

Be flexible enough to move as the occasion requires, and dance to the rhythms of your heart, and the blows will never be close enough to land.

No one is ever free from being criticized by someone out there.

Act, and you will be told by someone that you took the wrong action.

Do nothing, and another will shame you for your apathy.

Therefore, the only voice you can truly rely on is your own.

But how can you be sure the voice you hear in your head is truly your own?

The entire process of learning to function in our society requires that we admit the thoughts of others into our head.

If we are to speak and be heard, we must make room in our heads for words we didn’t invent ourselves.

The heart speaks its own language, and the art of translation is one of the most important skills to master.

But far too many people are told that the translation is incorrect.

Or, in other cases, we deliberately mistranslate, lest the words spoken scandalize everyone within earshot.

We learn the right things to say, even when the right thing to say is so distant from the truth as to be unrecognizable.

And the more the heart is mistranslated and misunderstood, the more reluctant it becomes to even try to be heard in the first place.

This is why silence is a precious commodity, for when we allow it to surround us and just for once let it stand unbroken, the murmur of the heart, the secret language of the self unseen, can be heard.

And this, in turn, is why silence frightens some people, for they are determined to drown out those sounds with the noise of daily living, lest they hear the sounds the heart is making, not the thump of the physical organ but the disappointed sighs of a misunderstood voice.

What does your heart say?

Do you even understand its vocabulary, or have you only been nodding and pretending to understand?

Only you can provide a sufficiently accurate translation.

And yet by seeing the translations of others, we slowly learn how to translate our own.

Do all hearts speak a common language?

I am not certain of that.

Perhaps each heart speaks a unique dialect that can be traced to a common tongue.

(The tongue, perhaps, that spoke the world into its being.)

I still hold out the hope that more of us will learn to listen to our hearts and make the effort to translate what it says into words and deeds that can shape the world into something greater.

And perhaps the key to this is not to wait until the cacophony of false voices, of mistranslations, of The Right Things To Say finally dies down. Perhaps we need to retreat to silence long enough to hear what our hearts have to say and then emerge from that silence to speak what our hearts have told us, speak our truth until all our voices combine and the noise is drowned out by our chorus.

And here is where we can begin it.

It’s too crude a piece for me to want to sell or even scan, but I keep it precariously fastened to the side of my filing cabinet with magnets for now as a reminder of how far I’ve come.

Prints of this work are not available.

The original is not for sale.

Rich Living: I Am Not Paul McCartney

Be yourself; everyone else is already taken.

–Oscar Wilde

If I want to really feel insignificant, I just compare myself to Sir Paul McCartney.

Face it, the man has more money, fame and sheer and absolute coolness than I can ever dream of possessing.  My net worth is spare change next to his collected assets.  His impact on history is the Grand Canyon where mine is a little line scraped in the earth with a stick.  By the time he hit my age, he’d already transformed the landscape of popular music as a member of the Beatles and was still knocking out hit songs with a little band called Wings.  Me, I’ve got a few bright ideas and some blogs, and this weird art thing that I’m doing that some people tell me is pretty neat, but that most people don’t even know about.

But, you know, sitting around and feeling insignificant isn’t a hell of a lot of fun, so I try to avoid weighing my lifespan against that of Sir Paul.  Actually, it’s best not to weigh your life against any standards, even, strange as it may seem, your own.  That way lies a different kind of madness–the one where you constantly berate yourself for where you should be by now without taking any pleasure in where you are.  (I should be published by now.  I should be married by now.  I should have a house by now.)  Even comparisons between now and your past self can trap you in misery, because lives do not always progress on a neat upward slope.  I could look back at the time a few years ago when I had the stable job and the hot boyfriend and compare it to now where I have . . . neither.  Yeah, maybe not such a great idea.

It’s a mental trap that snares many a hardy soul.  So, how do you get out of it?  Start with the one thing you have that nobody else does.  Yourself.  You are the only you there will ever be on this earth.

I’m typing this while I’m in front of a window that faces a dogwood tree.  The leaves are starting to tarnish into their fall colors.  Nobody else at this moment is able to see this.  Nobody else can–if somebody came in and looked over my shoulder, what they would see would not quite be the same.  Even as I try to clumsily describe it to you, what comes up in your mind will not be what I am seeing.  If I take a picture, it’s still not quite the same because you’re looking at it on a computer screen instead of as I am now.

view from desk

See what I mean?

Every moment of your life that you are aware of is a moment that you are a unique witness to.  No one, not even Sir Paul with all his millions, can buy it from you.  Artists do what they can to translate their points of view into tangible form, but even then they are doomed to fall short.

I have driven home on rainy nights with a Nick Drake song playing on the iPod hooked into my car stereo and it feels like I’m in the middle of the most beautifully shot art film.  Yet I’m the only one in the theater and I’m never going to see this scene again.

Step back from where you want to be and look at where you are.  Really look at it, because nobody else is able to, not in the way that you do.  Treasure it, savor it, embrace it and you will find that where you stand in comparison to others doesn’t matter.  They’ve got their lives to live; you have yours.  And nobody else is able to do the job of being you.  So make the most of it.

I may never be as cool as Sir Paul McCartney.  But I will always and forever be as cool as Sheila O’Shea.  And that’s all I really need to be.

Rich Living: How to Be Present

The starting point of living a rich life is to pay attention to it.  This seems ridiculously obvious, until you try doing it on a consistent basis and become more aware of how your brain can go rabbiting off from the present moment and gnawing on stupid things like What That Mean Person Said On The Internet.  Honing one’s ability to keep the mind on the moment is ultimately a lifetime process.

Think of it a bit like an exercise program.  There’s never really a point when you can say “Yay!  I’m fit now!” and never have to exercise again.  If you do, you’ll be okay for a while but eventually your body will regress for lack of challenges.  However, much like fitness, the more you do, the better you get at it to the point that a flight of stairs that would normally wipe you out completely can now be ascended two steps at a time.  (And I’m not exactly one to talk about keeping in shape, mind you; how do you think I know about what happens when you slack off?)

There are loads and loads of books and resources on mindfulness and presence, from The Miracle of Mindfulness by Thich Nhat Hanh (which I highly recommend) to The Power of Now by Eckhart Tolle (which likewise I did benefit from, though I did have some issues with.)  If that’s too woo for you, there are many nifty scientific studies on the benefits of mindfulness.

Does this mean you can’t ever let your mind wander ever?  Of course not.  But presence allows you to notice when your mind is wandering and bring it back to the moment.  You can even set your mind loose and decide “I’m going to just sit and think for a while.”  (This is one of the reasons I carry a catbook–so I can allow my mind to ramble and still remain in the present moment as I focus on the pen on the page getting all my thoughts down.)

But what if the present moment is kinda sucky?  Wouldn’t it be better to vanish into the mental clouds for a while until the moment passes?

Here’s the thing.  A rich life is not a pain-free life, nor a perpetually happy life.  A rich life has moments of agony as well as bliss, grief as well as elation, loss as well as gain.  That is how life works.  You have to be there for all of it.  But you will notice that if you accept the pain and honor the pain, it will pass more quickly than if you try to smother it.  Pain is a signal from the body that something is wrong that needs to be set right.  By paying attention to it, you can determine its source and have a clearer idea of what to do about it.  Emotional pain is much the same way.

An important part of presence is acceptance.  There are some things you can change.  If you’re in an uncomfortable position on the couch, you can shift and get more comfortable.  There are, however, some things that you can’t.  If you’re stuck in traffic, there’s really not much you can do except wait.  (Unless, I suppose, you want to be one of those people who thinks that the fact that they’re in a big hurry qualifies them for the emergency lane.)  While you wait, you can seethe about how horrible traffic is, or you can turn up the stereo, plug in some music you like and pay attention to that until traffic moves forward some more.  Your call.

Presence is the practice in which all other components of rich living are rooted.  By seeing what you are surrounded by, you are able to be grateful for it and to be curious about it.  And the best way to be yourself is to be who you are in this moment, without waiting for some better moment to arrive.

Rich Living: The Basics

One of the nifty things about having a blog with a nonsensical title is that you can veer madly in a different direction and nobody can seriously complain that the blog is no longer as advertised.

So far here I’ve talked about free writing techniques and my Word Art and now I feel like adding another category to the mix.  Because the 2,000+ words in True Wealth didn’t really cover all I had to say about my notions of how to live what I call a rich life.

You do not have to be a rich person to live a rich life.  Rich living is, in fact, entirely independent of how much money you have coming in or tucked away in the bank.  You can be down to your last dime and out on the streets and still live a rich life.  (In some ways, it might even be easier to.)  You don’t have to be dirt poor to live a rich life, either.  I’m not knocking money, it’s great stuff to have and I sure as hell could use some right now, but I’m not letting my current situation get in the way of living richly.

There are two kinds of poverty–the poverty of the material and the poverty of the soul.  There’s been a lot of noise going on about the former but talk of the latter is seen as something you can only worry about when you’ve gotten your material situation completely to your satisfaction.  Not just your basic needs covered, mind you, but the ideal job, the ideal income, the ideal location and no more worries ever.  Then, and only then, can you take your nose off of the grindstone and pay attention to your surroundings.  Until then, you have work to do, dammit, whether it’s the job you’re making your way through until retirement or the business you’re trying to launch, anticipating that indefinable sense of having arrived.

Right now, a lot of people are still thrashing in that state of uncertainty, waiting for something to happen, waiting for things to get better, waiting for the perfect arrangement of economic forces to restore a sense of security.  And in the meantime they condemn themselves to the worst kind of poverty, the poverty that in fact requires far less to be alleviated than people realize.

You do not have to wait until you can quit the sucky job and start your fabulous business to live a rich life.

You do not have to wait until you have enough cash in the bank.

You do not have to wait until you can afford to buy a place and stop renting.

You do not have to wait until you’ve found the love of your life.

You do not have to wait for the pain to go away.

You do not have to wait for anything.

Be present.

Be grateful.

Be curious.

Be yourself.

Those are all you need.  Right here, right now.

Start.

Word Art: Alien Life

Lake Sirmon is one of the reasons I am irretrievably barred from saying I have not had an interesting life.  We met at an art show that my friend Steve took me to.  It was supposed to be the grand opening of her new art gallery and studio space.  Unfortunately, an ice storm hit the area and made the opening a little less than grand.  Nevertheless, we braved the slick roads and I fell in love with one of the masks that Lake had made–a half-mask covered in red glitter with beads and red and black plumes.  Steve still owed me money (I have a tendency to fall for men in less-than-stable financial situations, but I always get it in writing when I help them out) and the mask in question was about the price of his final payment, so he bought me the mask and we called it even.

Because of Lake, I have posed for photographs in the ruins of an abandoned steel mill, wielded a wand as the Art For A Buck Fairy, covered myself in lipstick and body paint while completely nude in front of an audience and helped paint a hearse to turn it into a multicolored work of automotive art.  Lake proved to me beyond all doubt that you don’t need to be a rich person to live a rich life.

Lake has a thing for aliens.  She’s made art of spaceships, dressed up as an alien, put on an “Alien Luau” and collects the odd bits of ephemera depicting aliens that have made it to the thrift shops.  One of her artworks comes with a story about a girl from an isolated planet who builds a spaceship to explore the universe with.

It was at Lake’s house that my art career began.  I knew I had until June to come up with a birthday present for her.  True to form, I was ridiculously late, but I wanted this piece to be worth it.

Alien Life

Alien Life

We have always looked up at the stars and wondered if anybody up there was looking back.

As, over time, we reduced what was unknown through adding to what was known (and as we realized how vast indeed was the unknown) we cast our various fears and our hopes into that void and asked ourselves what kinds of beings would arise from it.

Perhaps it says something about ourselves in what things that we expect will come.

We have told tales of being invaded by those who would take what we have and make use of it.

(Perhaps we secretly fear that all the things we did to others will one day be in turn done to us?)

In other stories, they come in the guises of our highest selves, being the beings we wish that we could turn into ourselves.

We wish that we could fly and so we gave them flight.

We wish that we could be rational, and so we give them logic.

We wish the rules for life would be clear, and so we give them purpose.

Some people are convinced beings from distant planets have already come to this place, even as the traces left behind are transient and uncertain.

(Should you suggest that past stories of humans were have been captured and released by the fae are really stories of those who have been captured and released by extraterrestrials, my question would be how can we indeed be certain that the abductors are not, in fact, the Fair Folk in suitable disguises?)

Other people make claims that the pyramids and other exceptional achievements of times past were in fact works of visitors from other worlds.

I find that this comes across as a bit of a slight to humanity.

We are, as a whole, far more remarkable than we give ourselves credit for.

And I also suspect that we all feel a bit like an alien from time, as we behold the peculiar customs of these human creatures and wonder why they act that way.

Anybody who explores the inner and outer spaces of the realms of creativity will find this to be especially true.

So perhaps the eyes that stare back from the skies are our own.

Lake loved it when I gave it to her and I’m honored to have my work added to her art collection.

Printout of this work (3 MB .jpg file) available here.  Please read the license details.

The original has been given to Lake Sirmon.

Scribble Your Way to Liberation: The Little Block Book

Use this technique for: when you’re stuck on a project and need to move forward on it.

Starting point: when you haul out the book to write in.

Ending point: when what you’re trying to work on is finished.

This is a technique that I’m still testing out, so to speak, so if anybody who’s reading (all five of you) wants to try it out and report back on how it works for them, I’d love to hear about it.

This is a kind of hybrid of the Sub-C Session and the Shit Book, with a slight variation.  Suppose you have something that you need to do, but Resistance is kicking your ass and keeping you away from it.  Start by sitting down wherever it is that you need to Do The Ugly Thing You Don’t Want To Do But Really Have To (hereinafter the “Ugly Thing”) and having the Little Block Book handy.  As soon as the Resistance rears up, pick up the Little Block Book and start writing.  What you write will probably be some variation on “ARGH!  I don’t wannaaaaa!”  Start there.  From there, vent out all the frustrations that are standing in your way, all the resentments, fears and so on that the Ugly Thing is bringing up with you.  It might be something completely silly like “I’m scared that they’ll all laugh at me.”  This is completely okay.  The moment your fears are put into words, they lose some of their grip on you.

Once you’ve vented it all out, start working on the Ugly Thing.  When the next round of frustrations rears up (perhaps along the lines of “ARGH!  I suck!  I’ll never do this right!” for example) grab the book and vent all those thoughts out.  Get back to working on the Ugly Thing.  When Resistance starts trying to ply you with excuses (“Hey, that’s a good enough start, time for lunch now, right?”) write those down.  You may find they’re a lot less persuasive when put in words.

You can even use the Little Block Book as an odd sort of way to mark your progress.  Say you’re working on writing a letter that you’re scared to write.  Start by opening the word processing program and writing something in the Block Book like:  Okay.  File’s open.  Now what? From there you might type in your return address and the address you’re sending it to and then write down what you’ve done in your Block Book.  Keep going until the letter is written and ready to be sent.  You might have to vent like crazy to get all your thoughts out (heck, you might even draft out part of the letter there) but in the end you’ll have a letter to show for it instead of putting it off for another day.

If you strike a particularly deep vein of resentment, you may want to take things over to the Shit Book for some proper purgation.  If you’re really uncertain about what you’re doing and why, you might want to shift to a broader Sub-C Session and figure things out there.  If you’re working in an office, you might consider using the Clicktappity method instead of a separate book, so you can look busy to people passing your cubicle.

After a certain point, momentum will kick in and you’ll be immersed enough to no longer need the Block Book.  But if you find yourself stuck again, pick up the Block Book and write out what’s stopping you.  The point of ending is not when you’re tired of writing about it–the point of ending is when the task you’re trying to get through is finished.

A revised version of this entry can be found in the ebook Catbooks and Other Methods.

Word Art: The Flow of Change

I’m not sure which rabbit hole of links I tumbled down to land on the virtual doorstep of Pace and Kyeli, but I can certainly say that I’m glad I did.  It was refreshing to see such enthusiasm, optimism, sensitivity and encouragement in the cynical wilds of the blogosphere.  I added their blog to my RSS feeds, looked forward to each new chapter of The Usual Error and signed up for the Freak Revolution (which is now the Connection Revolution.)

When they announced a scholarship contest for their upcoming World Changing Writing Workshop, I decided this would be an excellent motivator to finish a Word Art piece I’d started but had gotten stalled on, which was also on the topic of change.  Even if I didn’t win, I’ve have some art to show for it.  As it progressed, I was less and less happy with how it was coming together visually, so I scrapped the initial design and carried the words over to a revised piece, with a better shape and a more harmonious color scheme.

The Flow of Change

The Flow of Change

The one who promises you absolute certainty is not to be trusted.

In a world that shifts and changes so, such a promise is impossible for one to even try to keep.

That which endures only endures by being mutable.

This is as true of abstract notions as concrete ones.

All that is built will be rebuilt as time wears it away.

What we think we know is perpetually subject to change.

Or at least it should be.

If it is not, it will eventually be smashed by reality as it settles into its latest form.

We know change to be inevitable.

But we cannot be assured that such change will always be for the best.

That is only the case if one makes a definite effort.

Change is a force, like water, like lightning, like rain, like the wind.

And like the water, like the lightning, like the rain, like the wind, we have been able to deflect it, shape it and even create it as necessary, in order to make that which we have need of.

The mistake is in assuming that once a change has been made, things can never regress to their previous state.

Change is a fluid that will pour into whatever container is provided for it.

Like water, like the Tao, it flows to the lowest point.

Like fire, like Spirit, it is indifferent to what it consumes and transforms in the way that it refuses to make exceptions.

Like all of these, it can be put to use, but only when you grasp the nature of it for what it is instead of what which you wish it to be.

Everything is in flux.

Nothing can ever happen in such a way that it cannot, however eventually, unhappen.

And knowing all of these things, you must now ask of yourself–”How can I shape these forces that flow through all of us? How can we direct change so that the greatest number of people can benefit from it?”

For if you seek to only do what will benefit yourself and no other, it will only cause the slightest of ripples in the world.

But if what you do changes the worlds of one another for better, the force becomes amplified and these ripples become waves.

What you want for yourself should be what you want for the world.

Seek peace so that others may know peace.

Seek joy so that others may know joy.

Seek love so that all may know love.

Change is powerful and for many it is frightening.

Our cravings for novelty are counterbalanced by our cravings for stability.

We know that what change leaves behind is not always improvement over what was before, and thus we are wary of untried changes.

Therefore the one who speaks of change is most persuasive when there is proof that it will work, when there are examples to point to and say: “This was done in a different way than the always. And yet it works, and works beautifully. Why, then, do we cling to the means and methods that are less effective?”

Be bold with your own life.

It is not a path, not a trajectory.

It is, in truth, a laboratory, wherein each new day, each moment, can be an experiment.

You are not bound to what has gone before.

You are only truly bound to what you choose to do in the moment as it stands before you, whether it is to sustain or to transform.

About halfway through making this piece, I came to a decision about it, but I kept that decision to myself until after the winners of the contest had been announced.  Once the winners were announced (I placed as a runner-up, which was an honor in itself) I asked Kyeli for a mailing address, so I could present the original to her and Pace as a belated wedding present.

I’ve been told it now hangs behind Pace’s desk for inspiration, which is kind of fun to think about–that I am able to inspire those who have in turn inspired me.

Printout of this work (10 MB .jpg file) available here.  Please read the license details.

The original has been given to Pace and Kyeli Smith.

Word Art: Seven Ways to Sneak Past the Lizard Brain

Whenever possible, I set aside my birthday as a day to go out, explore, ramble and indulge myself a bit.  June 14, 2010 was no exception.  I spent the day visiting Centennial Olympic Park and the Georgia Aquarium and that evening I went to a restaurant in Virginia Highlands for Linchpin day.

Linchpin day was, in short, a gathering of folks inspired by the Seth Godin book Linchpin: Are You Indispensible?, which I hadn’t even read yet but was looking forward to doing so.  I had a marvelous time meeting with people who were enthusiastic about the idea that work could be about passion, about connection, about making a difference in the world and that your job didn’t have to be some horrible hellish thing you put yourself through so you can pay for a secure place to sleep and watch television in.

While gathering information about the meetup, I also found out that a group of people were putting together a magazine to commemorate Linchpin day and to make sure that contributors would ‘ship’ as quickly as possible, they placed a 48-hour deadline just after the meetings, so people would get their ideas and impressions in right away instead of dithering.

So the next day, I bought a copy of Linchpin, read the whole thing, got out my materials and made some art.

Seven Ways to Sneak Past the Lizard Brain

1.  Tell the lizard brain you’re only going to work on The Big, Scary Thing What That Needs To Be Done for only five minutes.  Do so.  When the five minutes are up, do just five more.  Repeat until momentum causes you to lose track of time.

2.  Picture the awful things that the demon in your head goes on about being said by somebody you would dearly love to piss off.  (You might do best to invent someone, so your contempt doesn’t carry over to a live human being.)  Imagine him like the villain at the end of some comedy, at the moment he has been proven powerless and is stomping and flailing and trying to reassert his vanished authority.

3.  Do the lousiest, crummiest first draft of The Big Scary Thing What That Needs To Be Done that you can possibly come up with.  Get from Point A to Point B and fix the result.  There’s no way to sharpen a blade before it’s been forged.

4.  Procrastinate your self-indulgence.  Sure, you’ll go and check on how the Internet is doing.  Eventually.  Just five more minutes on The Big Scary Thing What That Needs To Be Done, that’s all . . .

5.  If you have the flexibility to do this, give yourself two options: you will work on The Big Scary Thing What That Needs To Be Done, or you will do nothing at all–no books, no Internet, no phone, nothing.  Sooner or later, your lizard brain will get bored enough to roll over and let you work.

6.  Imagine that somebody is anticipating The Big Scary Thing What That Needs To Be Done and looking forward to the day that your creation meets the world.  Even if the only somebody is you, it is more than enough and you shouldn’t ever deprive yourself or any other.

7.  Always remember that the amount of energy you put into worrying about something does not count as effort expended towards solving the problem . . .

(For those of you scratching your heads and wondering what a ‘lizard brain’ is, I’ll just quote a bit from the book itself to explain:  “The lizard brain only wants to eat and be safe . . . The lizard brain cares what everyone else thinks, because status in the tribe is essential to its survival . . . The lizard brain is the reason you’re afraid, the reason you don’t do all the art you can, the reason you don’t ship when you can.”)

The reason the word “Done” is in bold?  Because I screwed it up the first time I wrote it and correcting it resulted in it resembling boldface.  So I kept it for all subsequent iterations.  This was very much a making-it-up-as-I-went-along kind of work, which meant I reached into my handy bag of Stuff I Say To Myself An Awful Lot (particularly the last line) in order to get the page filled.  But it seemed like the kind of advice that others might benefit from, so there you are.

I sent it in to the magazine and wasn’t sure if they’d even make use of it, or if it would just wind up on the website edition, but much to my amazement when I got my copy, there I was on page 33.  Then I looked in the back and saw that my website was there on the contributors list and thought, hmm, I should probably update or something . . .

Printout of this work (3.1 MB .jpg file) available here.  Please read the license details.

The original is not for sale.

More Fun With Spam!

I have to say, How to Kill Demons did get quite the response in the comments section.  Too bad only one of them was from somebody who actually read the thing.  The rest got clogged in the spam trap and have that peculiar quality that comes with comments that are cleverly designed to sneak in and plant links to boost somebody’s Google rankings.

I’ve recently started a blog, the information you provide on this site has helped me tremendously. Thank you for all of your time & work.

Why, you’re welcome!  I’m really not sure what information I provided here that helped you with your oddly minimal blog about how to become an ultrasound technician, but I hope it works out well for you.

I respect what you may did right here. I like the part wherever you express you are doing this to give back then again I’d personally guess just by all the responses that this is earning a living for you too.

It always weirds me out a bit when spam comments talk about “all the responses” or the “lively discussion” when I haven’t made a single one of them visible.  Can they secretly see each other as their comments huddle together in the spam trap?  As for ‘earning a living’, dude, I wish.

A superb view on this you’ve gotten, even as I don’t accept every thing which was explained I can see your case.

I’m glad you can see it.  I didn’t even realize I was making a case for anything.

All kinds of things is absolutely free, wonderful woman. Gratitude so much for text this material for us to learn.

This one I might have almost considered letting through, had it been signed with a normal human name instead of ‘binaural tones.’

The amazing little blueberry has emerged as nature’s number one source of antioxidants among fresh fruits and vegetables.

Good to know, but how is that remotely relevant to anything I’ve written here?  I’m trying to even figure out any blog where this would fit in easily without it bringing to mind some vaguely Stepford-like individual blurting this line out at a cocktail party with a blank smile.

I have two major Word Art projects in the works that I’ll be posting soon.  I’ve also added a few scans up for people to download–check the “Free Stuff” tab at the top of the blog for details.  And if you are a live human being with something to say, please, feel free to comment.  I get lonely typing here by myself, ya know, but not so lonely that I’ll take up with spambots for company.

Word Art: How to Kill Demons

When I’d finished up Exile and The Intruders had finished their set, I packed up and said goodnight to the lads and showed them my work in a kind of “look what I did while you were playing!” way.  I didn’t expect any of them would even attempt to read it.  One of the guitarists did, however.  Or, rather, he asked me to read part of it to him.  I think I read him the last couple of lines, blushed a bit at being exposed like that, and gave him one of my hand-written bizniz cards so he could see the rest of the work I’d done at that point, if he was interested.

I thought nothing of it until the next time I saw The Intruders play and that same guitarist chided me for not having updated my blog lately.  I was boggled that he’d even bothered to read it.  He asked me if I’d done any new work of late and I told him I was working on a new piece and hoped to have it up soon.

“What’s it called?” he asked.

“How to Kill Demons,” I replied.

How to Kill Demons

How to Kill Demons

Light a bonfire inside your heart.

Set the scene where you will.

I recommend the edge of the ocean.

It should be night.

Place your animus, in whatever form he takes,

next to you, as a guide.

Allow the flames to rise.

Stand close enough to the light

to cast a shadow behind.

The demon resides somewhere in the chest.

Sometimes the heart,

sometimes the solar plexus,

or somewhere in between.

A knot of burning, screaming ache.

You will know it when you feel it.

Sink your fingers into your chest

and wrap your hands around this pain.

There will be no blood or tearing.

Your animus will aid you, as necessary.

Grasp it firmly.

Pull it out, steadily and certainly.

Do not allow yourself to falter.

The demon will emerge in your hands.

It will come in any number of forms.

It may have claws,

it may have wings.

It will inevitably have fangs

still bloodied from

gnawing on your insides.

It may scream, in hopes of frightening.

It may insult, or try to bully.

It may even try to plead with you.

Do not, under any circumstances, listen to it.

Retain your grasp as you hold it over the first.

It may struggle, try to claw or bite you.

It will not succeed unless you allow it to.

Drop it into the fire.

Let the flames catch it.

It will scream more loudly.

It will curse you with greater viciousness,

or it will plead more desperately.

Again, do not listen.

It will burn.

The bonfire flames will transform it

into heat and light.

Warm yourself.

Allow your animus to embrace you.

Leave the fire to continue to burn.

It does not need to ever be extinguished.

This, like Blue Blazing, was an attempt to render poetry into Word Art.  Instead of setting precise boundaries and making it fit, I decided to figure out the size of the paper after I had written it.

To this end, I took one of the 8 1/2″ by 11″ sheets of paper and set an upper margin of a couple of inches and side margins that left a three-inch space to work within.  I wrote, alternating sides with each line, until I’d come to the end of the poem and then decided what standard photo frame size I could fit the result in.  I settled on a 4″ by 6″ frame and cut off the excess paper.

The poem itself is, in its strange way, a true story.  It was a visualization I came up with while away in a little place by the ocean, doing the usual vacation things and coping with the death throes of an intimate relationship.  The images came to me in that certain daydream state as I lay on the bed and I guided them, the way one does in meditation and lucid dreams.  I was able to release a great deal of pain and self-loathing with this and I still make use of the technique from time to time.  If you think it might work for you, by all means, give it a try.

Prints of this work are available here.

The original has been destroyed.